On Hugo's Last Day of a Condemned Man

Victor Hugo witnessed the workings of the guillotine at first hand. More than once, in fact, he found himself among crowds of curious, expectant, agitated, hate-filled people awaiting a show of death. Much disgusted and angered by the twisted joy that people seemed to take in it—by the distinct ugliness of the spectacle—he decided to write a book against the death penalty. Apparently, it was the day after Hugo had strolled past an executioner casually preparing the guillotine for its next victim at the Place de l'Hotel de Ville, that he began writing The Last Day of a Condemned Man, which Dostoevsky would consider "absolutely the most real and truthful of everything that Hugo wrote." .

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On Dostoevsky's Crocodile

I take pleasure in reading lesser-known works—whether by writers who are themselves little-known, or by well-known writers whose minor works are overshadowed by major ones. Dostoevsky being my favorite writer, I could fill the pages of this blog with commentary on his fiction (all of which, over the course of several years, I have read). And, over time, I probably will. For now, however, I would like to discuss The Crocodile, a relatively long short story that was first published in the last issue of Epoch—the magazine that Dostoevsky published together with his brother Mikhail from 1864 to 1865.

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